do-nothing: 世界よ、これが日本の柴犬だ。 そしてオール茨城だ。 ※ひたち海浜公園:ネモフィラVer. #茨城はい…



do-nothing:

世界よ、これが日本の柴犬だ。 そしてオール茨城だ。 ※ひたち海浜公園:ネモフィラVer. #茨城はいいぞ #茨城の魅力発信し隊 #柴犬 #柴犬はいいぞ #Photographers710 #p710犬部 # #shibainu #shiba #日本犬 #shibepic.twitter.com/g451jL8fIw

traddmoore: THE NEW WORLD #1 STORY: ALEŠ KOTART: TRADD MOORE,…





traddmoore:

THE NEW WORLD #1

STORY: ALEŠ KOT
ART: TRADD MOORE, HEATHER MOORE
COVER A: TRADD MOORE, HEATHER MOORE, TOM MULLER
COVER B: TRADD MOORE, HEATHER MOORE, TOM MULLER

JULY 25 / 72 PAGES / FC / M / $4.99

The United States of America—after the Second Civil War. 

Two lovers meet. 

One: a straight-edge vegan hacker anarchist boy with a penchant for messing with the State. The other: a chaotic, hedonistic cop with a reality TV show and a license to kill. This really shouldn’t happen—and yet, somehow, it does. And soon, the entire state of New California is after them. 

This ballistic sci-fi action romance miniseries—in the vein of Mad Max and Romeo and Juliet—from ALEŠ KOT, TRADD MOORE, and HEATHER MOORE begins with a massive-sized debut issue, and features a backup comic introducing the talents of AARON STEWART-AHN and SUNANDO C ( @sunandodraws )!

iamcvn: “In the Midst of Spring” Hey Coven, I know it’s been a…









iamcvn:

“In the Midst of Spring”

Hey Coven, I know it’s been a minute since the last post, but I’m starting to realize that when this happens you can expect something good to coming. With that being said I hope you all like this spring/fashion week inspired look

.Instagram @beingadp

P.S. Cooooven, I know I don’t post enough here and you guys want more so hop on over to my Instagram where I’m always posting. Get the full coven scoop.

startswithabang: How Come Cosmic Inflation Doesn’t Break The…

















startswithabang:

How Come Cosmic Inflation Doesn’t Break The Speed Of Light?

“In an inflationary Universe, any two particles, beyond a tiny fraction of a second, will see the other one recede from them at speeds appearing to be faster-than-light. But the reason for this isn’t because the particles themselves are moving, but rather because the space between them is expanding. Once the particles are no longer at the same location in both space and time, they can start to experience the general relativistic effects of an expanding Universe, which — during inflation — quickly dominates the special relativistic effects of their individual motions. It’s only when we forget about general relativity and the expansion of space, and instead attribute the entirety of a distant particle’s motion to special relativity, that we trick ourselves into believing it travels faster-than-light. The Universe itself, however, is not static. Realizing that is easy. Understanding how that works is the hard part.”

It’s true that nothing can move faster than the cosmic speed limit, the speed of light, and that no two particles can move faster than light relative to one another. So how, then, do you explain the fact that during inflation, two particles that begin a subatomic distance away from one another are, after just a tiny fraction of a second, are then billions of light years apart? The answer is because special relativity only applies, strictly, to particles that occupy the same location as one another in both space and time. If they’re separated, then the Universe is under no obligation to be static, and space is free to expand and/or contract. You cannot figure your apparent motion with special relativity alone, but need to factor in the effects of general relativity as well. And that’s where things get really weird.

If you can understand it, however, the notion of how objects appear to recede faster than light suddenly starts to make sense. Come learn how inflation doesn’t break the speed of light after all!

sixpenceee: Floating Optical Illusions Created through…







sixpenceee:

Floating Optical Illusions Created through Brilliantly Painted Layers of Glass

Glass painter Wilfired Grootens is an artist from the German countryside with a very unique style. Using delicate swirls and tendrils painted onto layers of laminate glass, he assembles dozens of sheets together, and then sands them down to produce vivid three-dimensional paintings that appear to float in mid-air. When examined from different angles, his sculptures vary, perspective playing a huge role in each piece to successfully meld art with optical illusion. (Source)